Autodesk Maya Training by Experts
Our Training Process
Autodesk Maya - Syllabus, Fees & Duration
Overview of Maya
- Understanding the Maya interface
- Setting up files and Maya projects
- Configuring viewports
- Customizing the interface
- Navigating the Maya workspace
- Using the hotbox and marking menus
- Selecting objects
- Using the Move tool
- Rotating and scaling objects
- Working with pivots
- Understanding the Channel Box
- The Attribute Editor
Maya Scenes
- Organizing Maya Scenes
- Working with the Outliner
- Dealing with hierarchies
- Object groups
- Exploring Hypergraph
- Hiding and showing objects
- Working with layers
- Working with selection masks
Working with Polygons
- Creating Polygonal Models
- Differences between NURBS and polys
- Selecting polygonal components
- Using Soft Select and reflection
- Sculpting with the Sculpt tool
- The Combine and Separate commands
- Working with subdivision surfaces
Working with Meshes
- Working with edge loops
- Using Edge Flow for smooth geometry
- Reorienting geometry using Spin Edge
- Drawing detail with the Connect tool
- Mirroring geometry
- Modeling with nonlinear deformers
- Modeling with lattices
NURBS-based Modelling
- Refining NURBS Models
- Extracting NURBS curves from surfaces
- Open/ Close curves and surfaces
- Creating curves on a surface
- Projecting curves on surfaces
- Trimming NURBS surfaces
- Using fillets to connect surfaces
- Converting NURBS to polygons
Using Materials
- Creating Materials
- Overview of Maya renderers
- The basics of materials
- Creating and applying maps
- Using bitmaps as texture
- Working with the Hype shade window
- Using the Ramp material
- Displacement and bump maps
- Mental ray materials
Using Textures
- Applying Textures
- Texture mapping
- Projecting textures on surfaces
- Applying multiple materials
- UV mapping
- The UV Texture Editor
Rendering your Scene
- Render Settings
- Lights and lighting types
- Rendering shadows
- Camera basics
- Depth of field
- Motion Blur
- Reflections and refractions
- Matching lights and shadows to images
- Batch rendering
Animating in Maya
- The animation interface
- Set Key
- The Graph Editor
- The Dope Sheet
- Animating objects along spline paths
- Ghosting animation
- Animation playback using Playblast
- Creating animation cycles
This syllabus is not final and can be customized as per needs/updates
- Since 2001, Making IT Experts by Experts
- Duration: 70 Hours (Vary as per your skill)
- Course Fees
- Individual Live Classes (1:1)
- Batch Classes @ Low Fees
- Training on Your Time, Any Where
- Access to Recorded Videos
- Practical Internship on Projects
- 100% Placement Support by our jobsNEAR.in
- Training/Internship Certificate
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Course Highlights
Featured Courses
Students can learn the flexibleness to create a top-quality CG base character which will be used for customizing games, machinima, animations, portfolios, and programming based mostly on computer science graphics courses consistent with industry standards and techniques. This software provides actual live 3D effects with us North American nation a large kind of scope to make live models. Our trainers are senior specialists in Maya Animation course styles and animation for numerous years. It offers wonderful support for scripting languages and everybody can produce plugins for Autodesk Maya with C++ and smart memory handling. The options of Maya aren't like using only modifiers, you'll be able to apply modeling layers but it is a free-form approach to 3D modeling. Nestsoft provides an Autodesk Maya Animation online course that will prepare pupils with the fundamentals of 3D growing up with a Maya Animation course software. Nestsoft provides the most effective Autodesk Maya online training course. Our live training classes are handled by specialists in this field and the syllabus starts from the basics to the most advanced of the subject our team can assist you If a candidate gets any doubts or errors while using this. Meet Maya from Autodesk. Trainees will get to search out excuses for all the ideas from basics to advanced level.
